If you are interested in purchasing any artwork, pieces are available for sale at our gallery located in downtown Homewood, Alabama.
12” x 12”
Graphite and Rust Powder on Paper
No Exit is a haunting reflection of the COVID-19 era - a time when the world felt frozen, and breath itself became uncertain. This piece was born from the artist’s own experience facing COVID-19 for the first time in 2020. Isolated and overwhelmed, he found himself trapped not just by illness, but by the psychological weight of a world in stasis. The drawing doesn’t unfold in a linear narrative. Instead, it captures the emotional claustrophobia of the moment. Thick, swirling strokes echo the confusion and stillness of lockdown. Compressed, ghost-like forms suggest human presence, but without connection - suspended in isolation, unheard, and unseen. The atmosphere is stuffy, the palette heat, the movement blocked. There isn air, no escape, no promise of relief. In this emotionally charged work, the artist doesn’t offer a way out. He invites us to stand in that very space - the spiral of fear, the suffocation of uncertainty - and remember what it meant to live through a time when the world closed in, and every breath felt fragile.
Oil on Two Canvases
16” x 44”
War and Peace is visual dialogue between tension and release - two opposing forces locked in balance. On one canvas, fiery reds surge forward, shaped into bold, angular figures that feel like warriors mid-charge. Their movements are sharp, intense, driven by purpose and pressure. On the other, swirls of orange flow more gently, their forms dancing rather than fighting. These figures, though equally strong, carry warmth instead of heat - they are warriors of spirit rather than battle. Each canvas speaks its own language, but neither exists in isolation. Their simplicity is deceptive; though abstracted and stylized, each figure holds depth - identity, intention, and emotion. Together, the two panels express a truth that is both artistic and human: peace is not the absence of war, and war is not without its longing for peace. They are entangled, essential, and inseparable - like breath and heartbeat, like body and soul.
Oil on Canvas
7” x 9”
A chaotic storm of emotion and distortion, No Way Out captures the raw and all-consuming nature of a panic attack. In this surreal oil painting, a creature-like figure - part human, part something else entirely - spirals through a vortex of dark color and frantic movement. Its wide, expressive face seems trapped mid scream, suspended between desperation and delirium. The textured strokes swirl around it like a black hold of thoughts, pulling everything inward with no escape. Clad in flaming orange fur, with claws that scratch at the unseen walls, it lurches forward - frozen in motion, exhausted in stillness. This is not a monster. This is a moment. The artist invites us into the disorienting, often invisible experience of anxiety and panic - where reality warps, the body feels foreign, and even breath becomes a battle. No Way Out doesn’t ask for pity. It demands to be felt.
22” x 28”
Charcoal and Rust on Paper
Sacred work is a tribute to the physical, emotional, and spiritual transformation women undergo in pregnancy. Fragmented yet whole, the female figure here is shown in parts - a breast flowing with milk, a body stretched and altered, a child forming within. Each element is a piece of the story, layered with sacrifice, strength, and divine purpose. This is not a romanticized image. It is real. Raw. The beauty is in the labor, in the disassembly that leads to creation. The painting honors the unseen labor of becoming - the stretching, the breaking, the rebuilding. It speaks to every woman who has carried life within her and emerged changed, marked, and more. With bold anatomy and unfiltered emotion, Sacred Work invites reverence. It is a visual hymn of gratitude for the women who build life with their bodies and carry on the sacred task of creation.
Oil on Canvas
16” x 20”
This haunting composition places us backstage in a moment of deep hesitation. The woman at the center - poised in a backless dress, facing the unseen crowd - exudes both elegance and reluctance. Her body leans forward, yet her spirit seems frozen. The audience is blurred into abstract shapes, hungry with expectation. In the upper corder, a shadowy male figure looms, eyes fixed on her - wanting something she cannot give. The smears of red and black, the storm of color around her, suggest turmoil more than applause. I Don’t Want to Go is not about performance, but pressure. It’s about being looked at without being seen - and the quiet resistance of a women who dares to pause when the world demands she perform.
Oil on Canvas
3’ x 4’
In Perfect Match, fire and water collide at the center of a glowing, geometric heart - a visual mediation on masculine and feminine forces locked in passionate opposition. The figures are fused yet distinct: one flowing in cool blues and electric yellows, the other smoldering in deep reds and rich umbers. They bend toward each other without merging completely, like lovers in a standoff or dual elements shaping one another through friction. Set against a cosmic backdrop of texture and tension, the painting pulses with heat and harmony, desire and duality. It is both a battle and a balance - a celebration of difference, tension, and the spark that only contrast can create.